even though i was planning on publishing this post several days after my first post on the short visit to milan, my computer had other plans.. it had simply decided to stop working :( it took us some time to find the new one.. however, i am back.. finally!
the second post is about fondazione prada, which opened in the humble neighborhood of largo isarco, only two streets away from my former apartment. of course, i couldn’t miss the chance to visit the newest contemporary art museum in milan, as well as my ex-hood :)
the museum itself is a former distillery, dating back to the 1910s. the transformation lead to an architectural configuration that combines pre-existing buildings with three new structures. the result is a campus of post-industrial and new spaces with the inner courtyard, open to the city.
the following buildings make part of a museum and they each host different exhibitions: haunted house, podium, cisterna (tank), deposito (warehouse), nord (north) and sud (south), with other facilities such as biblioteca (library), bar and cinema.
i started my tour in the haunted house, the golden building which immediately captured my attention. this building also belonged to the old distillery; however, its structure was reinforced, while its external surface was glided. the interior is as interesting as the exterior, its large windows create a strong relationship with the surrounding, yet the sequence and size of single rooms preserve the intimacy of the inner space. haunted house hosts permanent exhibition of robert gober and louise bourgeois.
my next stop was the cinema, where i watched a never shown documentary “roman polanski: my inspirations”, featuring a film review of movies that have inspired his work: citizen kane (1941), great expectations (1946), odd man out (1947), hamlet (1948), the bicycle thieves (1948) and 8 1/2 (1963).
then i went to what would become my favorite part of the museum – podium. it hosted a very interesting exhibition: serial classic – multiplying art in greece and rome, which aimed to represent and revive lost originals with an empty pedestals, on which are placed summaries of the ancient sources describing them. i have taken picture of several replicas along with their descriptions: praxiteles’s sartyr, myron’s discobolus and scopas’s pothoi.
what i loved the most about this exhibition is how they managed to combine the art of classical period with the contemporary art and how they made me think they truly belong together.
the following three exhibitions would not capture my attention as the first three, but they are still worth mentioning: in part (which took place in the northern part of the museum: nord), an introduction (in the southern part: sud) and deposito.
and finally, there’s bar luce, the lovely café, designed by wes anderson (director of “grand budapest hotel”). the café itself reminds of galleria vittorio emanuele, one of milan’s landmarks, especially with its vaulted ceiling and the motifs on the upper section of the wall.
when i went to the café, i was truly sad it was not open at least a couple of months earlier, so i could get my morning coffee and breakfast here.
and then, i took a walk around the museum. great museums can be found all around the world, but an architectural piece like fondazione prada are only a few.